Templates
20 templates inside the app, shown here as whole pages rather than as thumbnails. Hover any card and it scrolls, because the top of a design tells you the least interesting thing about it.
A template is somewhere to start when you do not have a design yet. If you already have one, that is the other route into Siter.io and it is covered further down. Either way the site you end up with is edited on the same canvas and published to your own domain, and publishing is the part that costs money — from $7/mo billed yearly.
Hover a card to scroll the full page.
Apps and software
A dark hero with the phone held over full-bleed photography, then everything an app listing asks for underneath - a six-tile feature grid, a watch section, a video walkthrough and reviews with stars.
Hero with both store badges, six-icon feature grid, product gallery, watch support, video carousel, four reviews, second download block, three blog cards, newsletter
Art and culture
Built for artwork rather than around it. The headline sits over the first piece, works run down the page in a deliberately uneven two-column rhythm, and the shop at the bottom credits every artist by name.
Dated headline over artwork, staggered work grid, full-width carousel with caption, member preview with times, four collections, artwork shop with artist credits, stacked social footer
Books and launches
A split hero puts the cover on colour and the offer on white. Below it the page does the job a book page has to do - what you will learn, who wrote it, and what is actually in each chapter before anyone is asked to download.
Split hero with cover, four-tile benefits, author panel with portrait, chapter-by-chapter contents, three testimonials, eBook and paperback download blocks
Courses and education
Faces float around the headline so the page reads as people before it reads as product. The course grid is the centre of it, six cards deep with a play badge on every thumbnail.
Hero with floating avatars, three-step joining process, three counters, six-card course grid, nine-topic index, single testimonial, closing card
Digital products
The longest page in the set, and the most commercial. Featured work sits in a priced mosaic, then categories, then a full product page with a specification table and two masonry galleries.
Featured mosaic with prices, three category rows with cart buttons, full pack detail with spec table, two masonry galleries, discounted offer, newsletter
Finance and crypto
Dark, with geometric shapes drifting in the margins. Live-looking price cards sit directly under the headline, and the page keeps returning to figures - totals, percentage moves, sparklines.
Hero with floating shapes, three coin cards with percentage moves, three headline totals, four-tile explainer, sparkline rows, NFT showcase, three alternating profiles
Clinics and practices
The practical answers are the first thing under the hero, in a dark panel that holds opening hours, appointments and an emergency number. The rest builds trust - named practitioners, a dated timeline, published studies.
Photo hero, hours and emergency panel, three services, named practitioner feature, year timeline with video, booking form over photo, three dated studies, address block
One-screen pages
The only single-screen design here. A verified-style avatar on a soft gradient, six wide buttons each carrying its own thumbnail, and a row of social icons. It ends where the screen ends.
Avatar and handle, six thumbnailed link buttons, social icon row
Portfolios
One enormous word across the top, a portrait under it, and then projects numbered rather than named. Images are placed off the grid on purpose so the eye moves rather than scans.
Oversized wordmark, portrait with intro, three numbered projects with staggered image pairs, name and contact footer
Portfolios
Centred, serif and quiet. The projects carry real names instead of numbers, and a scroll cue sits beside the portrait because the page expects to be read rather than skimmed.
Serif masthead, centred portrait with scroll cue, three named projects with mixed image sizes, centred footer
Portfolios
The most CV-like page in the set. Counters, a work history with company logos, a skills breakdown naming actual tools, then the photographs - and a contact form at the end rather than an email address.
Hero with headline and portrait, about with four counters, work history table with logos, three skill columns with tool lists, masonry gallery on black, wide carousel, contact form
Portfolios
Three case studies, each a wide card with the image on one side and the reasoning on the other. Short, and built to be clicked into rather than read to the end.
Minimal header, intro with portrait and award note, three case-study cards with their own buttons, contact footer
Portfolios
An availability pill, a paragraph in the first person, and links as pills rather than a navigation bar. Each project is one image and one paragraph, which is the whole design.
Availability pill and first-person intro, pill row of links, three projects each one image and one paragraph, footer repeating the availability
Portfolios
Almost no interface. Work tiles fall down the page in a staggered column with the discipline set sideways beside each one, so the page reads as a contact sheet rather than a grid.
Headline with new badge, staggered work tiles with rotated discipline labels, two full-width pieces, minimal contact footer
Property
Listings are tabbed by type and every card carries the same shape - badges, price, floor area, price per square metre and a call button. A featured property gets a full specification bar of its own.
Architectural hero, three counters, three-step process, tabbed listings with six property cards, featured property with spec bar, two testimonials, newsletter
Food and hospitality
Photography first, with an italic serif carrying the warmth. The menu is tabbed and priced by the piece, and the page closes on opening hours rather than a form.
Photo hero with menu and order buttons, story block, tabbed menu with prices, two recipe features, coming-soon blocks, catering photo strip, four chefs, hours and booking
Fashion and retail
Black with an acid-yellow accent, and it commits. Sizes and prices sit on every product block, a full product page with a size picker is built in, and the sale section flips the whole palette to yellow.
Arrivals carousel, collection split, priced product blocks with sizes, product detail with size picker, portrait rows, classics grid, yellow sale section, newsletter
Sport and wellness
A section rail tracks progress down the left edge while the page moves from classes to instructor to plans. Pricing is two plans stacked beside a photograph, with the enrol button on each.
Photo hero, three service cards, about with video, instructor feature, three programme cards, two pricing plans, photo mosaic, pull quote, blog cards, newsletter
Travel and tours
A weather reading sits in the hero, which sets the tone - this page is about conditions and specifics. Routes are priced from, and the results section counts kilometres walked rather than describing them.
Mountain hero with weather, three priced routes, image collage, video block, mission counters, three result cards with one carrying the figures, three rated guides, closing CTA over photo
Weddings and events
Cream and terracotta with a serif display face. The booking button is a circle overlapping the hero photograph, and the preparation steps are numbered and staggered so the page never feels like a checklist.
Serif hero with circular booking button, about, alternating help and inspire blocks, three numbered preparation steps, catering, couple carousel with location, booking form
Pick the template whose sections match what you have to say. Not the one whose colours you like.
Colour, typeface and imagery are the cheapest things to change and the first things you will change anyway. What is expensive is structure. A template that has a priced menu with tabs, or a work history with company logos, or a specification bar under a featured listing, has already made a set of decisions about what a visitor needs to see and in what order. That is the part you are actually adopting.
So the small grey line under each card above is the useful one. It lists what the page is made of. Read those first, find the two or three whose section lists match the things you already have written down, and only then look at the pictures. If nothing matches, the honest answer is that you want a design of your own rather than a template, and that route is below.
One structural caution worth knowing before you fall for something. Siter.io has no CMS and no blog, so a template that looks like it wants a stream of posts behind it will not get one. The CMS and blog row reads No, and the blog-shaped cards in a few of these designs are individual pages you make and maintain by hand. The same goes for a shop. No — listed as upcoming, with no date, so the store designs here are catalogues that show products and prices rather than take payment for them.
Six of the twenty are portfolios — every other category here holds exactly one — and they are the hardest choice on this page because at a glance they all look like the same idea. They are not. The difference is what each one assumes about your work.
If you are choosing between them and cannot decide, the question that settles it is how much writing you are willing to do. Photography and Editorial want paragraphs. Minimal and Art direction want almost none, and will look thin if you have a lot to say. The structural version of this question has its own page, written for people building their own site rather than picking a starting point.
This is the section most template galleries leave out, so it is worth being plain. Very little about these templates is documented by Siter.io itself. The word “template” does not appear on the homepage, the features page or the pricing page, and the entire help centre mentions it once, as a starter template field you fill in when you add a page to a website. There is no template row in the pricing matrix either, which means no plan documents templates as something you get or do not get.
That absence is why this page describes what is in the screenshots and stops there. The count is the product owner’s own, given with one screenshot per template, and it is stated that way rather than dressed up as vendor documentation. Where something is genuinely unknown, the sentence says so instead of guessing.
.fig file to open, this is not that.The template does not have a price. The publishing does, and this is the honest sequence. No — the free plan builds and previews privately; publishing needs a paid plan. So you can open a template, rebuild it around your own words and pictures, and look at the result for as long as you like without paying — but the moment you want a stranger to be able to reach it, you are on a paid plan, from $7/mo billed yearly.
What comes with that: hosting and SSL included on every plan, a custom domain at no extra cost on paid plans, and the option to remove the Made with Siter badge. Page count is the constraint to watch, because a template that is five pages deep needs a plan that holds five pages. Solo at $7 holds 10 pages and 1 published website; the full ladder, publishing row included, is on the pricing page.
Two more rows worth knowing before you commit a client project to a template. Per-page SEO fields are a paid-plan feature, so the title and description a search engine shows are not something you control on the free plan — that is covered here. And there is the question of getting the markup out at the end. HTML download on Pro only; the contents of the export are not documented, and what that is worth is its own conversation.
Then a template is the wrong starting point, and you do not need one. Siter.io’s actual premise is the other direction: you design the page in Figma, bring it across with the plugin, and publish it. Yes, on every plan including free — one-way import, no re-sync, which is the constraint to plan around. It is a one-way trip rather than a live link, so treat the import as the moment the design moves house rather than as a sync you can lean on.
What that means in practice is that the work you would do to a template — replacing the type, cutting sections, changing the order — you do in Figma instead, where you are faster anyway. The Figma to HTML route has a page of its own, and the section patterns behind these templates are broken down separately if you would rather borrow the structure than the design.
Fonts are the usual first casualty of either route, and the answer is the same for both. Yes — upload your own font files, on every plan including the free one, so the typeface in a template is replaceable with your own files rather than something you inherit. The detail is here.
Match the sections, not the styling. Write down the four or five things your page has to say, then find the template whose section list already contains them. Anything you can restyle in ten minutes — colour, typeface, photography — should not be deciding this for you, and anything structural — a priced menu, a booking form, a work history, a specification bar — should be.
The documented flow is per page rather than per site. Inside a website project you add a new page, and one of the fields you fill in is the starter template, alongside the page title, description, link and preview image. From there the page is yours to edit on the canvas, and it goes live when you click Publish. Worth knowing before you commit to a choice: after a page exists, the settings the help centre documents as editable are its title, description, slug and preview image. Changing the starter template afterwards is not among them.
No. The free plan builds and previews privately; publishing needs a paid plan, so a template you build on the free plan is something you and anyone you send a preview to can look at, and nobody else. Publishing to a public URL starts from $7/mo billed yearly.
Not in the sense most people mean when they search for that. These are picked inside the Siter.io app rather than opened as Figma files, and none of them is documented as a Figma Community resource or as something that arrives through the plugin. The Figma connection here runs the other way: Siter.io is where a design you already made in Figma becomes a website. If what you want is a .fig file to open and edit, look in the Figma Community instead, then bring the result across with the plugin.
That is your work rather than the template’s. Three fixed breakpoints, laid out by whoever is building the page, so a template hands you a desktop starting point and the phone and tablet versions are something you arrange afterwards. It is not a fluid system that reflows on its own, and planning for that on day one is much cheaper than discovering it on launch day.
Technically nothing stops you, but read the licensing line above first, because there is not one to read. Whether these templates carry a licence, and what it allows commercially, is not documented anywhere we can point at. For your own site that is a risk you can take with open eyes. For work you are invoicing, ask before you ship. The mechanics of handing a finished site over — roles, and moving ownership out of your account — are on the collaboration page.
What every plan includes
The full feature matrix, the page and site caps, and the publishing row that decides whether any of this reaches a visitor.
Bring your own Figma design
The other way into Siter.io, and the one the product is actually built around. One-way import, no re-sync.
Making it work on a phone
Three fixed breakpoints, laid out by you. What that means for a template you did not draw yourself.
The sections behind these pages
Six kinds of small website broken down into the parts each one needs, if you would rather borrow the structure than the design.
A template is a starting point, not a commitment. Siter.io also takes a Figma frame and turns it into a live website on your own domain. The free plan builds and previews as much as you like; publishing starts at $7/mo billed yearly.
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